![]() I feel that this film has not dated all that much and has tremendous re-watch-ability. While studios may be lukewarm on the idea of longer films, they are worth it if you have a ripper story to base it on. and so on are very patient but top-class films. This is the key (provided that the story isn't mind-numbingly boring). All the great ones spend time - time developing characters, family life, growth, patience with the story telling in general. It is also the game mascot and starter Pokémon of Pokémon Yellow and Lets Go, Pikachu. Pikachu is popularly known as the mascot of the Pokémon franchise and one of Nintendos major mascots. I certainly hope the new goal of Hollywood isn't to make films as short as possible. In Pokémon: Lets Go, Pikachu, the players starter Pikachu also will not evolve, but cannot be traded to become a Raichu. It was not much longer than an episode of ER or Buffy. 3) Patience: Men in Black 2 was an astounding film for one simple reason - it was an entire film squashed into about 70 minutes. ![]() Again, many films try, but most fail because they come up with unreal (literally, not praisingly) or simply moronic transformations (eg, Wall Street). Consider Michael at the wedding and compare that to the Michael we see at the end of the film. By putting them into situations, the character's character must not only influence the outcome of the situation it must also have a lasting impact on the character. 2) Transformation: The central character(s) must undergo a transformation, resulting in them being almost unrecognizable by the end of the film. The eighth-best song on Katy Perry’s Teenage Dream, which celebrated its 10th birthday last Monday and remains one of the best pop records of the past decade, is called Peacock. While many try to do this in screenplays, most lose the plot and create character obscurities that stretch credibility. The Godfather is a terrific example of how to pull this off. What you really need to do is to develop these characters - place them in situations - and then dwell on how their character impacts on the situation they're put in. But simply having these contrasts is not nearly enough. Michael is rather cool, rational and collected, whereas Sonny is more hot-headed, spontaneous and simple minded. Consider the contrasts between the Don's children. aka The Fifth Element), but ultimately, this is what makes films deep, meaningful and grand. aka matrix or where you want outlandish contrasts. Of course, there are exceptions to rule (ie. For screenwriters who come across this, take the following pointers on board: 1) Contrasting Characters: Good films have some character distinction, but most fall rather flat because the core of each character is the same. To make a true epic, you need all of three following ingredients working in near perfect harmony. Once I switched them on and heard (read) every last word of Brando's ramblings and other characters ramblings, I grew a true appreciation for this epic. This was until the advent of DVD, which gave me the feature I needed for this sort of film: subtitles. Initially, I didn't like this film all that much - I found it rather over-hyped and boring.
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